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[all images above]<\/span> Studies voor de toekomst<\/span> (studies for the future), 2024<\/p>

H 140 \u00d7 W 296 cm<\/p>

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Studies voor de toekomst<\/span> (studies for the future), 2024<\/p>

H 140 \u00d7<\/span> W 296 cm<\/p>

acrylic and textile ink on bamboo, wool, parts of an old sweater, on metal frames<\/p>

Photo: Natascha Libbert at Museum Jan Cunen | Collection Pivot park, Marie Curie building, Oss<\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/11\/exhibitionj2024-2025ancunenmet-tekst.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 21,\r\n \"attid\": 156,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/11\/exhibitionj2024-2025ancunenmet-tekst.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/11\/exhibitionj2024-2025ancunenmet-tekst-2560x1707.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/11\/exhibitionj2024-2025ancunenmet-tekst-1920x1280.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/11\/exhibitionj2024-2025ancunenmet-tekst-1280x853.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/11\/exhibitionj2024-2025ancunenmet-tekst-1024x683.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/11\/exhibitionj2024-2025ancunenmet-tekst-768x512.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/11\/exhibitionj2024-2025ancunenmet-tekst-512x341.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/11\/exhibitionj2024-2025ancunenmet-tekst-265x177.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2000,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"caption\": \"

'Volgens vaste patronen'<\/span> (Along Fixed Patterns), Museum Jan Cunen, 2024\u20132025<\/p>\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Deze studies voor de toekomst<\/em> heb ik in opdracht gemaakt voor de tentoonstelling Volgens vaste patronen<\/em><\/a> in Museum Jan Cunen (2024-2025).\u00a0 De titel is tweeledig. Enerzijds zijn het studies voor toekomstig sculpturaal werk, ge\u00efnspireerd door zowel de 10.000 handgetekende ontwerpschetsen en gouaches van de handweverij Bergoss (1835-1982). A<\/span>nderzijds zijn het studies naar mogelijke alternatieve realiteiten, ge\u00efnspireerd door de Zwitserse natuurgenezer, onderzoeker en visionair Emma Kunz (1892-1963). Als telg uit een weversfamilie tekende Kunz op ruitjespapier, geholpen door een pendel (gewicht aan een koord) in soms 24 uur durende sessies.\u00a0 Niet om kunst te maken, maar om mensen te genezen.\u00a0\u00a0<\/span><\/p>

\u00a0<\/p>

Voor een kunstenaarsresidentie, mogelijk gemaakt door het Mondriaan Fonds, trok ik in 2024 naar Zwitserland. Hier vielen de puzzelstukjes op intu\u00eftieve wijze in elkaar, wat zich vertaalde naar de abstracte composities van de studies voor de toekomst.\u00a0<\/em><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

I made these studies for the future<\/em> on commission for the exhibition According to fixed patterns<\/em><\/a> at Museum Jan Cunen (2024\u20132025). The title is twofold: on one hand, they are studies for future sculptural work, inspired by the 10,000 handdrawn design sketches and gouaches of the Bergoss handweaving workshop (1835\u20131982). On the other hand, they are explorations of possible alternative realities, inspired by the Swiss healer, researcher, and visionary Emma Kunz (1892\u20131963). As a member of a weaving family, Kunz drew on graph paper, aided by a pendulum (a weight on a cord), in sessions that sometimes lasted 24 hours\u2014not to make art, but to heal people.<\/p>

\u00a0<\/p>

For an artist residency, made possible by the Mondriaan Fund, I traveled to Switzerland in 2024. Here, the pieces of the puzzle came together intuitively, which translated into the abstract compositions of the studies for the future<\/em>.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 2,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/maartjefolkeringa.nl\/index.php\/wp-json\/wp\/v2\/posts\/132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/maartjefolkeringa.nl\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maartjefolkeringa.nl\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maartjefolkeringa.nl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maartjefolkeringa.nl\/index.php\/wp-json\/wp\/v2\/comments?post=132"}],"version-history":[{"count":0,"href":"https:\/\/maartjefolkeringa.nl\/index.php\/wp-json\/wp\/v2\/posts\/132\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/maartjefolkeringa.nl\/index.php\/wp-json\/wp\/v2\/media\/155"}],"wp:attachment":[{"href":"https:\/\/maartjefolkeringa.nl\/index.php\/wp-json\/wp\/v2\/media?parent=132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maartjefolkeringa.nl\/index.php\/wp-json\/wp\/v2\/categories?post=132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maartjefolkeringa.nl\/index.php\/wp-json\/wp\/v2\/tags?post=132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}